Joe Ditzel Has Some Problems
For the third time now, Google has “lost” the town of Sunny, Florida. The mayor was livid and and the town council is talking about suing Google and everybody is upset. Now we find out El Segundo is lost….and no one cared.
Joe Ditzel
Armageddon
Most clubs want to give me that sweet spot. And there are disadvantages to getting the sweet spot. You are not forced to work as hard to get big laughs. That's something I'm working on now. Getting myself more shitty spots. To make me stronger. So you are not just getting the sweet spots. That makes you soft. It's like the Rocky 3 syndrome. It all goes back to Rocky. In Rocky 3 he got sophisticated, he got rich, he got too soft. And then Clubber Lang beat him. And that's why he had to go back to the streets.
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The humorous story is told gravely; the teller does his best to conceal the fact that he even dimly suspects that there is anything funny about it; but the teller of the comic story tells you beforehand that it is one of the funniest things he has ever heard, then tells it with eager delight, and is the first person to laugh when he gets through. And sometimes, if he has had good success, he is so glad and happy that he will repeat the “nub” of it and glance around from face to face, collecting applause, and then repeat it again. It is a pathetic thing to see.
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How about this idea? We combine paint ball and beer pong– Beerball– you shoot colored balls of beer at the enemy team.
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The wit makes fun of other persons; the satirist makes fun of the world; the humorist makes fun of himself, but in so doing, he identifies himself with people—that is, people everywhere, not for the purpose of taking them apart, but simply revealing their true nature.
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In Hollywood, you’re dealing with a power structure where the writer is really at the bottom of the totem pole. Actually, I think that the writer isn’t even at the bottom of the totem pole—they’re at the part that they stick in the ground, and then there’s the totem pole.
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Humor is the great thing, the saving thing. The minute it crops up, all our irritations and resentments slip away and a sunny spirit takes their place.
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Don’t worry. I’ll work it out. I’m a master of supplication.
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The Player: We’re more of the love, blood and rhetoric school. Well, we can do you blood and love without the rhetoric, and we can do you blood and rhetoric without the love, and we can do you all three concurrent or consecutive. But we can’t give you love and rhetoric without the blood. Blood is compulsory. They’re all blood, you see.
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Liz Lemon: We met on K-Date, the dating section of the Kraft Foods website.
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The Player: We’re more of the love, blood and rhetoric school. Well, we can do you blood and love without the rhetoric, and we can do you blood and rhetoric without the love, and we can do you all three concurrent or consecutive. But we can’t give you love and rhetoric without the blood. Blood is compulsory. They’re all blood, you see.
Gran Torino
Harry Tofcano
Zoolander
Blazing Saddles
Life of Brian
Fast Times at Ridgemont High
Milton Berle
The Player: We’re more of the love, blood and rhetoric school. Well, we can do you blood and love without the rhetoric, and we can do you blood and rhetoric without the love, and we can do you all three concurrent or consecutive. But we can’t give you love and rhetoric without the blood. Blood is compulsory. They’re all blood, you see.
Gran Torino
Harry Tofcano
Zoolander
Blazing Saddles
Life of Brian
Fast Times at Ridgemont High
Milton Berle
Adam Sandler
The Player: We’re more of the love, blood and rhetoric school. Well, we can do you blood and love without the rhetoric, and we can do you blood and rhetoric without the love, and we can do you all three concurrent or consecutive. But we can’t give you love and rhetoric without the blood. Blood is compulsory. They’re all blood, you see.
Gran Torino
Harry Tofcano
Zoolander
Blazing Saddles
Life of Brian
Fast Times at Ridgemont High
Milton Berle
Adam Sandler
The Godfather